PARTART4OW 1ST CALL FOR PROPOSALS PARTICIPATORY ART AND SCIENCE CULTURAL TO RAISE AWARENESS OF OCEAN AND INLAND WATERS LITERACY PROJECTS LOOKING TO CONVERT KULO-LUNA TO TO AN INTERCTIVE ILLUSTRATED NOVEL FOR PUBLISHING ON KINDLE AND AMAZON FOR SHOWING AT EVENTS WITH THE ELIZABETH SWANN HYDROGEN POWERED SHIP

PARTART4OW

EXHIBITS

EXHIBITS FRIENDS HERITAGE HOME LIME PARK OPEN DAYS PARKING TECHNOLOGY

GHOST FISHING CYCLE - Discarded fishing nets do not stop capturing and killing marine fauna. In the fictional ocean awareness adventure; Kulo-Luna, a humpback whale is rescued from being tangled in a ghost net by a concerned conservationist, action hero: John Storm.

Not in any way connected with the generating history of Herstmonceux Museum, but that the ocean plastic and other displays are to be powered by electricity, harvested as natural energy from the sun. In March of 2025 the EU called for proposals for local projects that raise awareness of the plight of our oceans and inland waters.

Herstmonceux Museum is looking to develop the "SeaVax" and "Elizabeth Swann" as exhibits, and open those displays to the public, in conjunction with the publication of the Kulo-Luna story as an illustrated (and interactive) novel version of the published script - in the "Plastic Hall" display area, that is at present under developed and incomplete. The SeaVax is an ocean plastic cleaning machine, designed to operate in conjunction with the "AmphiMax" launch and recovery vehicle. These are both to be displays in the Plastic Hall when it is complete.

It is proposed that in the pages of a planned illustrated novel adaptation of the script for the Kulo-Luna story, artists will be encouraged to submit their artwork to the Cleaner Ocean Foundation, on various subjects - all ocean related. The best of which we have agreed should be exhibited in our "Plastic Hall," and/or our proposed "Art Gallery." With certificates going to the winners and runners up, together with a special edition 'Kulo-Luna' mug or pen being presented to the winners.

The illustrated novel is to be offered to schools and colleges at a discount rate, and made available to libraries. Local educational entities might visit the exhibition at our Museum, as an inspirational local venue, where they may take photographs of the exhibition halls, etc. A tour guide will be available to explain and (where applicable) show the exhibits in action. Most notably the wind tunnel, water tank and solar tracking system on the Elizabeth Swann model. Solar powered shipping is an EU water mission.

HISTORIC REAL EVENTS - The greatest whale of them all was an albino male first spotted by whalers close off Mocha Island. Unlike the whale that sunk the Essex, this one displayed behaviour so inexplicable in terms of ethology that, to this day, no academic has ever attempted an explanation. This sperm whale had, not one point of human observation, but data from more than a hundred encounters, each with multiple witnesses. Though scholars might have placed this animal in the ‘too hard’ basket, the same cannot be said of the nineteenth century whalers and general public.

Such was his status that it was said that when whaling vessels rounding the Horn in the 1830s, sailors exchanged stories and updates of little else. One best selling book was written about him.

In the nineteenth century, whaling ships didn’t attack their prey directly, but sent out smaller boats with harpooners. Thus a moderately clever whale who had seen it all before would be able to distinguish whalers from other ships, and to recognize when they were on the hunt. Mocha Dick must have at least made that association, as it was these longboats that he habitually joined as they made their way towards pods of females.

Mocha’s approach is often described as in the manner of a friend, whose only sin was to try to maneuver them away from their work. In general, it seemed that he would only attack if they tried to harpoon the great whale himself, to which purpose he was always very careful to expose only the least vulnerable parts of his body (especially his tail) to their weapons. If attacked in person, he would then proceed to splinter their longboats with his powerful flukes. Most whalers knew better, with at least 80% of encounters running without incident.

It is very hard to explain Mocha’s actions without invoking sapience, given that his modus operandi involved approaching professional whale killers. His actions took place over so many decades, that the whalers had every chance to adapt their techniques. He didn’t better one human, he outwitted a hundred teams of our most skilled mariners. This is not like a mouse repeatedly raiding the mousetrap, since there is no clear gain such as cheese for Mocha. Actually, there is a clear personal loss, as a whale this size needs to spend as much time feeding as he can, not socializing with humans.

Mocha Dick had a tendency to pluck them from the water, once their boats were destroyed, then consume them. He may then have acquired a taste for human flesh!

INSPIRATION

The Kulo-Luna story was in part inspired by the 'Moby-Dick' classic, written by Herman Melville in 1851, a story in turn inspired by the real-life antics of 'Mocha Dick,' a bull sperm whale that was responsible for numerous whale ship sinkings, in similar style to the Essex in 1820.

Arguably, Jeremiah N Reynolds and Herman Melville, were the ocean awareness activists (publicists) of their day. In their time they did not have acid oceans, poly-rope, nylon fishing nets, or plastic marine litter to contend with. For sure, those writers would have thought to give them a mention if that had been the case. As our technology advances, and we enter the age of hydrogen and solar powered shipping, these propulsion systems are gearing up to take over from heavy diesel oils, as surely as coal took over from sails. Perhaps with more urgency where the subject matter is in the public eye. As per the IMO's agenda 2030 - 2100, aimed at 100% clean ocean transport by 2100, and 40% clean shipping by 2030.

PartArt4OW is looking for interdisciplinary and intersectoral projects mixing art, science and participatory practices in innovative ways. They believe that collaborations between the creative and cultural sectors, the scientific community and the civic society organisations can lead to stronger projects.

They are looking for Participatory Art Initiatives (PAIs), whose overall goal will be to increase citizens’ ocean literacy, their awareness on the challenges and pressures faced by the ocean and inland waters and to mobilise citizens and stakeholders for the protection and restoration of oceans and inland waters

THE FIRST OPEN CALL CHALLENGE

The challenge of the first open call is engaging local communities for protecting and restoring marine and freshwater ecosystems and biodiversity.

Participants are free to explore the many aspects and threats related to ocean and water biodiversity (such as biodiversity loss, algae proliferation, alien species, just to name a few).

PartArt4OW IS PARTICULARLY INTERESTED IN:

- Unseen phenomena, such as those related to climate change or those that cannot be seen because we are too disconnected from the ocean to perceive its changes.

- The interdependencies between different aspects of the challenge that a PAI will choose to target (natural, cultural, political, etc) and the related societal implications.

Projects can focus on ocean or inland waters or on both at the same time. The focus should be on the communities living in close proximity to the ocean, water basins and rivers and assure that the project proposed addresses key societal and environmental challenges of those communities.

DIVERSITY MATTERS

PartArt4OW is committed to making ocean literacy accessible to all, thus priority will be given to projects involving people from under-represented groups and/or groups at risk of social exclusion and discrimination (refugees, ethnic minorities, the LGBTQI+ community, individuals with disabilities, low income families, etc). Special attention should be given to people with low exposure to art and science and with scarce cultural consumption and educational opportunities.

ACTING ON WHAT THEY PREACH!

PartArt expect projects to be fully sustainable, including the use of sustainable materials, circular solutions and renewable energy. Proposals, if selected, must commit to a Climate Pact Pledge and should work towards full decarbonisation or at least carbon neutrality of the project and of all the proposed activities.

WHAT PARTART OFFER PROSPECTIVE CANDIDATES

PartArt4OW offer funding and support to deliver a 6 month project. This includes a maximum lump sum of €50,000 per project. They also offer mentorship and training, by way of an intensive 3-day online boot-camp, providing learning and exchange opportunities on the PartArt4OW topics. There will also be guidance on creative processes, innovative artistic expression, conservation, protection of marine and freshwater ecosystems. Finally, PartArt will provide networking and peer learning opportunities, and promotion and visibility through PartArt4OW online channels, events and connection with related communities

Funds will be disbursed in two stages: 50% at the beginning of the project and the remaining 50% after the final review, upon successful completion of the project and submission of the required deliverables.

If we are going to save our waters and oceans, we need to significantly raise awareness of the challenges they face from marine litter and acidity. We need more competitions like these to make that happen. Well done EU. Keep up the good work. The Kulo-Luna project is just one example of art in action, focused on ghost fishing nets and zero carbon marine transport.

Our earth is an amazing planet that many people take for granted. We are the right distance from the sun to benefit from radiated energy, without burning up. We have water in abundance, in a cycle that nourishes our crops on land, draining into the seas via rivers, to begin evaporating again to form clouds, then precipitation. The ocean is home to fish and flora like kelp and seaweed that (like trees) oxygenate the atmosphere for us to breathe. Yet we burn fossil fuels that damage our environment and pour pollution into the sea, without a thought for accumulated harm it causes. Simply put, we are poisoning our home.

WHO CAN APPLY

Consortiums may apply provided that all partners must meet all eligibility criteria. A lead partner must be designated to submit the application, engage with the PartArt4OW team, receive and manage the budget. Each entity may participate in only one application, either as an individual applicant or as part of a consortium, and applicants must be established or resident in EU Member States or negotiating an association agreement with Horizon Europe

Individuals may also apply on the same basis as consortiums, in that they must meet all eligibility criteria. Each individual may participate in only one application, either as an individual applicant or as part of a consortium, and applicants must be established or resident in EU Member States or third countries negotiating an association agreement

QUESTIONS?

All the information you need about these open calls, the evaluation process and the accelerator are in the Guidelines for Applicants and their FAQs.

$BILLION DOLLAR WHALE

PROPOSAL

We are thrilled to be associated with the proposed ‘Kulo-Luna,’ project, a transformative project by the Cleaner Ocean Foundation that bridges art, science, and civic engagement to inspire and educate audiences about the challenges our oceans face. By leveraging the magic of storytelling and cutting-edge technologies, Kulo-Luna is set to captivate the hearts and minds of citizens while mobilizing collective action for ocean restoration.

The Kulo-Luna project, led by the Cleaner Ocean Foundation, is a creative, interdisciplinary initiative combining art, science, and public engagement to promote ocean awareness and conservation. At its core is the transformation of the Kulo-Luna screenplay into an illustrated novel for all ages, telling the compelling story of a humpback whale confronting marine threats like plastic pollution, whaling, and ghost nets.

The project integrates innovative technology, featuring the Elizabeth Swann hydrogen-powered ship and large solar wings that track the sun, with plans for an interactive exhibition showcasing a 2.6-meter model at the novel's launch. By inspiring action through storytelling, participatory art, and sustainable innovation, Kulo-Luna aims to increase ocean literacy, mobilize citizen engagement, and ultimately drive collective efforts for the protection and restoration of marine ecosystems.

AWARD WINNING - The first (draft) 'Kulo-Luna' script made it into the top 23% of discoverable projects in the prestigious Coverfly competition in 2022. This will be the template for a proposed illustrated novel to be made available for sale on Amazon and at other good bookshops. This story, developed by the Cleaner Ocean Foundation, is donated to the cause, for the purpose of increasing ocean literacy.

The story of Kulo-Luna powerfully promotes ocean awareness by weaving an adventurous narrative that highlights critical marine issues such as plastic pollution, whaling, and ghost fishing nets. Through the tale of a resilient humpback whale, her perilous encounters, and the efforts of ocean conservationists, the story emphasizes the urgency of protecting marine life and adopting sustainable technologies like solar and hydrogen-powered vessels. Its blend of action, emotion, and humour not only educates but also inspires audiences to take meaningful action for the preservation of our oceans.

The Kulo-Luna project is an innovative initiative by the Cleaner Ocean Foundation that combines creative storytelling, clean maritime technology, and participatory art to promote ocean literacy. Featuring an illustrated novel about marine conservation, supported by a working model of the hydrogen-powered Elizabeth Swann, the project addresses urgent issues like plastic pollution, whaling, and sustainable innovation. This unique combination of narrative, technology, and public engagement, along with a dedicated website (https://kuloluna.com) and film script, offers a multifaceted approach to raising awareness and inspiring action for ocean restoration.

The proposed illustrated ocean awareness novel, coupled with the dedicated website and language translations, will have international reach, save that the subject matter concerns London, England, the Arctic Ocean, into the Pacific Ocean, including Hawaii, Solomon Islands and Coral Sea, and finally down to the east coast of Australia; Fraser Island.

IMPLEMENTATION

During the 6-month Accelerator, we will focus on completing the writing and illustration of the Kulo-Luna illustrated novel, being an adaptation of the existing script (published online and registered with the British Library) - bringing its narrative and visuals to life, while simultaneously completing construction of the 2.6-meter working model of the solar and hydrogen-powered Elizabeth Swann trimaran ship. Generation of the visual art will be designed to enhance the reading experience in such a way as to stir feelings relating to the suffering of the whale, as the readers feed into the story, toward the climax. These efforts will culminate in a participatory launch event, locally, where we have exhibited on our own stands at events in London, Brighton, Eastbourne and Hastings, potentially to be repeated (but not within the 6 month project period) seamlessly blending creative storytelling with sustainable innovation to inspire ocean literacy and action. We work with Plastic Free Eastbourne, and have workshops at this Museum, which is open during summer weekends: May-September.

For this project proposal, we need to collaborate with writers and artists. Apart from our in-house storyboard imagineer, we work with London based artists, for illustrations. Assuming that book sales eventually clinch a film deal from the preexisting screenplay, we have agreed in principle to work with Cranfield, Loughborough and Strathclyde universities on our EU Water Mission, as and when the initiative attains funding.

ETHICAL CHALLENGES

The story dealing with possible illegal whaling and pirate whalers. The harpooning of whales for food is an emotive subject, and this is the main premise of the story, in this case treated in a way that is palatable, as a fictional ocean adventure. The Foundation will make sure that where applicable, data storage and subject will be compliant with Data Subject protection requirements.

PROJECT AIMS

It is hoped that the proposed illustrated novel will inspire other like-minded conservationists. The Foundation's project aligns with PartArt4OW's vision of interdisciplinary synergy. By combining the expertise of the creative and cultural sectors with insights from scientific communities and civic organizations, Kulo-Luna serves as a powerful model for Participatory Art Initiatives. The illustrated novel and accompanying exhibition will function as a springboard for collaboration, encouraging dialogues between artists, scientists, and citizens.

A Ripple Effect: From Illustrated Novel to Film - While Kulo-Luna starts as an illustrated novel, its potential for wider influence is limitless. With support from PartArt4OW, we envision developing this story into a feature film, expanding its reach to global audiences. Revenue from the film would directly support the completion of a full-size demonstrator of the Elizabeth Swann, advancing our EU water mission and showcasing sustainable innovation on a grand scale.

COST BENEFITS

Converting/adapting the extant screenplay to a full-blown novel, coupled with conveying the visual images, by way of high-quality illustrations, utilizes existing story development (time invested) such as to reduce the funding needed to complete the proposed project.

Likewise, the 2.6-meter model ship featured in the Kulo-Luna story, is already designed and part built, needing only completion, such as to be used for displays at events at major international event like “Oceanology International” or “Seawork”.

The Foundation have their own (mechanically restored) VW Kombi van, in need of some internal fitting out to install a framework and cradle to carry the very large working model safely and undamaged to and from events. To simplify this procedure, the existing wooden buck used to build the model will be used, supported on suitable 4"x2" timbers as a basic frame, being both simple and cost effective.

The wooden buck used in the making of the 1:20 scale model of the Elizabeth Swann, will be installed in our VW Kombi wagon using standard 4 x 2 inch timbers bolted to a floor base inside the classic vehicle. Fortunately, the van is large enough to accommodate this large scale proof of concept vessel. Indeed, the length of the model, including floatation calculations were adjusted to fit.

TEAM & COMMUNITY

The core members of the Foundation’s team consist of an experienced administrator, who has worked for American Express, an NHS Trust and Social Services at Eastbourne Borough Council. Our senior trustee has been the manager responsible for keeping books and accounts, and ensuring that overheads are paid, keeping services alive in the office and workshop.

The project coordinator was formerly a skilled welder-fabricator, in boat and custom car building. He is a qualified diver and helps to develop storylines. He is also an IP consultant, responsible for obtaining many trademarks pertaining to this project, such as the registered Mark: Kulo Luna. Over the years, our staff and associates have organised many shows and events, most notably for the “SeaVax” project. Where a large working model was displayed in London at Innovate UK.

The Foundation's Youth Project Lead (YPL) is an engineering student keen on conservation issues. He is learning how to speak in public, attending at the Brighton Dome in June 2024 to present the “Elizabeth Swann” project to a packed audience. He also presented at Bexhill at the United Nations (Climate and Oceans) symposium on the 18th November 2023. He is bilingual, fluent in French and English. Our YPL is helping to build the 2.6 meter working model of the Elizabeth Swann, and will help to man stands at events.

The project team consists of these 3 core members, as well as a printing subcontractor and both writing and art contributors. Via their websites, a diverse team of young (STEM) students in Austin, Texas (Eagle Tech Titans) have constructed an underwater plastic cleaning system, in part inspired by the Foundation's SeaVax system. Coverage of which is featured on two of their websites (https://www.blue-growth.org/ and https://elizabethqueenseaswann.com/). Outreach is thus demonstrable. But that the introduction of an illustrated ocean awareness novel, is sure to extend to all denominations at schools and colleges throughout Europe. In the fullness of time the novel may be translated into other languages.

HOPED FOR IMPACT

With help from a six-month Accelerator, Kulo-Luna will stand as a fully realized illustrated novel, paired with the interactive showcase of the Elizabeth Swann hydrogen-powered model. The Cleaner Ocean Foundation aim to pave the way for immediate social and environmental impact by sparking ocean literacy, inspiring younger generations, and mobilizing communities. Over the next year, the novel’s distribution - could mirror successful models like Ellie Jackson's Wild Tribe Heroes series - to build momentum as educational institutions and families embrace its themes. Collaborations with schools, libraries, and NGOs will help widespread accessibility, turning Kulo-Luna into a staple for teaching marine conservation.

In five years, the ripples of Kulo-Luna could have widened significantly - Social Impact: The story will cultivate a generation of environmentally conscious individuals, empowered by an emotional connection to the ocean and its inhabitants. Participatory events will unite diverse communities, fostering shared responsibility and collective action.

Economic Potential: The success of the illustrated novel, supported by a strong online presence and the possibility of a feature film adaptation, will help to generate funding to support large-scale clean maritime innovations, including the full-size Elizabeth Swann demonstrator.

Political and Scientific Influence: By showcasing solutions to pressing marine issues like plastic pollution and whaling, the project will influence policy discussions and champion the adoption of sustainable practices. It will demonstrate the real-world applicability of hydrogen-powered vessels, advancing scientific innovation and advocacy for green energy in maritime industries.

Environmental Impact: The widespread awareness created by Kulo-Luna will directly contribute to reducing harmful practices, inspiring community-led cleanups, and encouraging the protection of marine biodiversity. Much like “Nelson's Dangerous Dive,” the relatable narrative of Kulo-Luna will resonate with audiences of all ages, especially in schools, engaging them emotionally and practically. By adopting a business model that ensures accessibility through platforms like ‘Amazon,’ Kulo-Luna can reach a global audience while reinforcing its core mission: transforming awareness into tangible action for ocean restoration.

POSITIVE CHANGE

Identifying stakeholders is key to understanding the ripple effects of the proposed project as to positive outcomes.

Positive Change: Increased ocean literacy and a deeper emotional connection to marine conservation issues, empowering them to adopt sustainable behaviours and advocate for environmental protection within their communities.

How They Benefit: Through participation in events, and the illustrated novel's engaging storytelling, citizens will gain practical knowledge and inspiration to contribute to cleaner oceans.

EDUCATIONAL INSTITUTIONS (SCHOOLS, LIBRARIES, EDUCATORS)

Positive Change: Access to an innovative educational resource in the form of the illustrated Kulo-Luna novel, which can be incorporated into curricula or literacy programs to spark discussions about marine conservation among young learners.

How They Benefit: The novel offers a relatable, age-inclusive tool for teaching environmental science, raising awareness, and fostering critical thinking about sustainability.

RESEARCHERS AND SCIENTISTS

Positive Change: Enhanced public understanding of their work and the importance of sustainable marine innovations, fostering greater support for research funding and awareness campaigns.

How They Benefit: The project showcases real-world examples of innovative clean technology (e.g., the Elizabeth Swann) while spotlighting scientific insights into marine ecosystems and the effects of pollution.

DECISION MAKERS AND POLICYMAKERS

Positive Change: Heightened public interest and advocacy for marine policy reforms, encouraging the adoption of laws and initiatives that address plastic pollution, whaling, and clean energy.

How They Benefit: The project provides a compelling narrative and tangible solutions (e.g., hydrogen-powered vessels) that decision-makers can use to illustrate the importance of sustainable practices.

CREATIVE AND CULTURAL SECTOR

Positive Change: Opportunities to collaborate on a unique interdisciplinary initiative, blending art and science to tackle pressing global challenges.

How They Benefit: Participation in the project can inspire new creative expressions, expand artistic reach, and strengthen cross-sectoral partnerships.

YOUTH AND UNDERREPRESENTED GROUPS

Positive Change: Empowerment to engage with marine conservation issues, fostering inclusion and a sense of belonging in environmental advocacy efforts.

How They Benefit: Accessible materials like the illustrated novel and participatory events are designed to inspire and include diverse communities, ensuring broad representation and impact.

PROJECT & COMMUNICATION ACTIVITIES

Apart from the proposed end event and launch of the proposed ocean awareness novel at this event, the project will directly involve a small team of three drivers, along with an external writer and illustrators, to develop the Kulo-Luna illustrated novel.

Communication activities will focus on leveraging conservation websites, follow-on events, and targeted marketing using Amazon's tools to enhance visibility in search engines. This multifaceted approach ensures outreach to a wide audience, engaging citizens and stakeholders effectively in promoting ocean awareness.

In line with the objectives of Herstmonceux Museum, this project aims for environmental sustainability by utilizing recycled pulp for the illustrated novel's paper, operating from solar-powered offices, and employing energy-efficient LED lighting. Additionally, we commit to using an electric vehicle for project transportation, except for the use of a restored 40 year old historic VW van, minimizing our carbon footprint. These measures reflect our dedication to eco-friendly practices and align with the project's mission of protecting and restoring the environment.

BEYOND THE SIX MONTH ACCELERATOR

By the end of the six months: Stakeholders will have access to the completed illustrated novel, experience the interactive Elizabeth Swann model, and begin engaging in participatory initiatives, creating immediate awareness and interest.

Within a year: Educational and cultural institutions can integrate the novel into their programs, public engagement will deepen, and communities could then begin adopting sustainable practices inspired by the project. And the wider reach of a potential film, stemming from the illustrated novel.

In five years: Broader social, economic, and environmental impacts will emerge, with lasting changes in public attitudes, strengthened advocacy for ocean conservation policies, and the potential realization of the full-size Elizabeth Swann, demonstrating global leadership in clean marine technology.

Please note, the above proposal is not funded, but is simply a proposed project. For more information of these exciting EU opportunities contact PartArt at opencall@partart4ow.eu

PartArt4OW is funded by the European Union’s Horizon Europe research and innovation programme.

https://partart4ow.eu/

https://partart4ow.eu/

There are several innovative vehicles and vessels on permanent display at Herstmonceux Museum, including:

1. Art Gallery - Collection of paintings, pictures, graphics, sculptures, wooden carvings & exotic glassware

2. Archives - Historic documents library, patents, trademarks, copyright, films, catalogued legal papers & letters

3. An Edwardian ice well, throwback to the days before refrigeration

4. A large underground (condensation/cooling) and water storage chamber for ice making

5. The world's smallest water basin, test tank for model boats & ships to 1:20 scale

6. World's smallest wind tunnel, vehicle drag measuring instrument using electronic strain-gauges

7. Three PV boat models, Navigator, SWATH & 2 cats + route map prior to Swiss PlanetSolar

8. Seavax, the ocean cleanup proof of concept prototype from 2016 - Hall of Plastic, ocean waste, marine litter Vs fish 2050

9. AmphiMax, radio controlled (working) beach launching & recovery vehicle for SeaVax

10. Anthony the most dangerous giant Australian bulldog ant, 300 times normal size - Making Ant's Cart

11. EV - FCEV refueling station model in 1:20 scale

12. The only working (fully functional) water well in Herstmonceux village

13. The fountain of youth, Cleopatra inspired statue supplied from natural well water drawn on site

14. Second World War, 'Anderson Inspired,' bomb proof shelter constructed by Major Charles de Roemer

15. City sports FCEV-BEV, hydrogen gull wing proof of concept DC50 electric car

16. Land speed record car: Bluebird-Electric BE1 (original 1st) with battery cartridge exchange

17. Land speed record car: Bluebird-Electric BE2 (original 2nd) with cartridge exchange

18. A complete mummified squirrel, found when re-roofing the Museum June 2017

19. A fully operational, and restored VW Kombi van dating from 1978 (historic vehicle)

20. BMW i3, battery electric vehicle hybrid, with onboard generator range extender

21. Solar panel, and battery energy storage systems facing north-south and east-west

22. A hornet's nest found on site & preserved in 2016 (reported as [Asian] invasive species, to be safe)

23. Three sewing machines, including an antique Singer and a Brother industrial.

24. Adventure climbing frames for children (back to nature) Swiss Family Robinson

25. 'Elizabeth Swann' proof of concept model 1:20 scale hydrogen powered trimaran

26. Holm oaks, planting and growing trees from acorns on site, re-wilding in Sussex

27. Robotics, mechatronics, electronics and animatronics display - the steel frame, head/jaws, & drives of Anthony (coming soon)

28. Dalek - Full size, drivable working model of the famous Doctor Who BBC TV series, and Peter Cushing film

29. Films - Library of VHS tapes, DVDs and BluRay classics, national treasures, greatest hit, noir, oldies - from 1920

30. PartArt4OW - Proposal for an adapted & illustrated version of the Kulo-Luna script, with local exhibit & art competition for 2025

https://cordis.europa.eu/project/id/101157247
https://www.cmmi.blue/partart4ow/
https://www.uniroma1.it/en/pagina-strutturale/international
https://www.t-6.it/
https://fundacionepica.org/
https://regeneranetwork.com/
https://www.raw-news.net/

EXHIBITS FRIENDS HERITAGE HOME LIME PARK OPEN DAYS PARKING TECHNOLOGY UNESCO

Helplessly trapped in discarded fishing gear, Kulo-Luna is not long for this world, her wound tainting the water with blood that is a calling card to all sharks in her location.

OCEAN AWARENESS ARTWORK - Before he can rescue an injured humpback whale from fish netting, John Storm has to take on four hungry great white sharks. Fortunately he is a resourceful ocean adventurer. He beats off the attackers, then calms the giant whale they were circling, who is injured and bleeding badly. Then the ocean conservationist's mission begins.